#47 A String of Golden Bells

No rules. No routine.

I am woken every morning by the sound of my alarm clock.

That sounds perfectly normal. Except it isn’t my alarm clock at all, it’s me. And when I say I am woken by the sound of my alarm clock, I am not woken by a sound, I am woken by the pattern of a sound.

I’ve stopping actually setting my own alarm clock because I don’t need it anymore. About 7 hours and 45 minutes after I get into bed I am woken every day thinking that I can hear my phone alarm singing its happy little song, encouraging me to wake up. But as I said, my alarm isn’t switched on. What actually happens is that I see a pattern in my mind, and then in front of my eyes when I open them. It is the pattern the alarm would make, were it on. It’s a row of miniscule golden bells on a thread. They jingle up and down rhythmically and sometimes emit coloured orbs, some are neon green, some are neon pink. The string of bells threads across my consciousness encouraging me away from sleep and into waking. I see it for about a minute in my field of vision after I’ve properly woken up. Then it gentle fades from view. The invisible bell ringers have done their work.

When it first started happening I thought that my alarm must be going off – that I must somehow have missed some setting – that my phone was somehow managing to play tricks on me. I hadn’t trained my brain to do this of its own accord. How was this happening? What was odd to me, also, was that it wasn’t as if it was happening at the same time every day. No matter what time I go to bed, it will wake me exactly 7 hours and 45 mins later.

It’s the only true thing I rely on now. I’ve gotten rid of all my routines – except those that are connected to my OCD, which I struggle to change so I just give in to them. Like checking all the plugs, and all the doors – I go up and down my stairs every night over and over again just to touch the front door and go back up. Sometimes it feels relentless, humiliating, like I’m being punished for something. Sometimes it feels very prosaic and everyday. It’s just a thing I do. It’s fine. I try now to let my OCD impulses wash over me like a wave. When they hit I flow with them. It’s all I can do.

I know that we are told all the time to have a routine. That’s it’s what we need as humans. That it will give us structure. But I’ve come to realise that for me, and possibly others, that isn’t the case. Yes, I need to eat regularly and get enough sleep, and all those sensible things, but other than that, what does routine do for me? Do I need it now, alone, in lockdown?

When I had a 9 to 5 job I struggled with the routine element. Everyday seemed relentless. Every morning and evening the same script. Once you start one routine, you find yourself building others, and then more and then more, all to support the routines which went before. Like a giant game of Jenga. You are terrifed of altering those routines in case the whole tower you have built for yourself collapses. I’m not trying to be judgemental here, I’m just saying how I conceptualise it as a single adult without dependents. Routines beget routines, as I said. You go to bed at a certain time so you find yourself doing the washing up at a certain time, brushing your teeth at a certain time, for a certain amount of time just so that you can reach that magic go-to-bed hour so you can get the right amount of sleep in to function. When you binge watch episodes and break your curfew it’s that little voice of rebellion inside which is prompting you, but the guilt seeps in. It’s not what an adult would do because adults make routines and stick to them.

But I don’t have a job anymore. I was an agency worker for the Council and my contract was terminated when the pandemic shut all the offices down. I’ve been ill for 5 weeks now. I’ve had a respiratory virus. I can’t get tested for Covid-19 because I wasn’t admitted to hospital, I am not yet registered with a doctor and there just aren’t any tests available. The symptoms are endless and varied. Every week, and sometimes every day, there’s a new ache or pain, there’s an upset stomach or vomiting, lungs incased in cast iron or bubbling underwater. I tried to do too much last walk, to walk too far in the cold and I paid for it with days of feeling like a beached fish struggling about on the sand. I try to stand up and my heart pounds and my vision blurs and reaching for a glass of water feels like a massive undertaking that might be beyond me. But sometimes, I’m alright again. It helps to rest. It helps not to worry. I am getting better slowly. I will rally. At its worst, I promised myself I wouldn’t die on my couch. Now I’m recovering I have to promise myself I will get up off it.

I know a lot of other people who are suffering with this thing too. We share our symptoms quietly over the internet or on the telephone. We sneak out to buy milk and try not to come to close to anyone. We dread that at some point we might need to cough. Feeling the deep Corona shame. We should be staying at home. I’ve started watering down my milk. Asking for help can feel diffcult and shameful. My friends have been incredible. I have left their smeared handprints on my window so that I see them every time the sun shines through. It illuminates them like the halos of saints on stained glass chapel windows.  I’ve stopped going out at all now unless I absolutely have to. The cold air hurts my lungs and I can’t stop thinking about that piece of Hindi scripture that Oppenheimer famously quoted whenever I fear that people are walking too close to me. That I am become death, destroyer of worlds.

I worry that after this is over no one will want to hug me anymore, because you know, you’d had the ‘Rona. Maybe it becomes part of you. Like a weird badge. Maybe I’ll be immune. Maybe I haven’t even had it and this is some other horrendous, debilitating viral horror. I’m getting used to strangers on the internet asking me whether I ‘have it’ or not. Everyone just wants you to be okay and get better. I feel disappointed when I have to tell them I’m still not well. Sometimes I lie because it’s just easier. Tough people fight! Tough people don’t get sick! All that. It’s hard to escape it when your symptoms are visual. When every sound my lungs make forms a pattern I see around me. When you breathe and you see pain as sharp green spark expanding outwards from your chest ringed with clouds of ice-cold blue. A blue corona perhaps.

So I don’t have routines anymore. I don’t have goals. I don’t write down everything I’ve achieved that day in a spreadsheet like I used to. In a way, lockdown is achieving all the hopes my counsellor had for me when I was a PhD student. That I would stop seeing myself as a productivity machine. That I would rest and not feel a deep, existential sense of guilt. In sickness I have finally reached the stage where I no longer feel guilty for just sitting, and laughing, or crying or listening to music without producing anything meaningful. I don’t have any more routines because then I don’t have anything to fail.

Instead, every day, I now write down in a book one thing, at least, that I did that day that was different. That broke my routine. That made that day special and meaningful to me. They are usually small. Yesterday I spoke to a dear friend on the phone for the first time. We had never called each other before. Today I think my new thing will be making a new recipe:  spicy noodle soup with broccoli, green beans and chilli. It will also be writing this blog post.  I have a box beside my couch; in it I keep drawing materials, spare socks, tissues, diaries, handcream, a blanket and a little book which I write Italian phrases in. I’m enjoying learning the language but I do so without goals, without guilt. I practice my phrases on a spider who lives in the corner of my living room. I’ve named him after a favourite Italian TV character, accosting him every so often by shouting: Mimì!! Come stai! Or I call to him when I can’t see him. Allora. Cosa fai? Dove sei? I do it mostly because it makes me laugh. You have to break up the silence with laughter.

This post isn’t entirely about synaesthesia, but then neither is my life. My synaesthesia is just an extra sense I use to interpret the world, just like an extra language. But it is one which almost no one else speaks. This blog post is just like my shouting to my spider friend who never answers because he’s a spider and doesn’t speak Italian. He knows I’m down here, shouting, but I can’t expect him to have first hand understanding of the experience of being human. And yet it is a comfort. The words come out of my mouth in a string, or like guns out of a cannon. They have edges which graze my mouth in an almost pleasant way. It feels nice to see a voice in the house.

So no routines then, and no goals. I eat when I get hungry. I wash everyday when the urge takes me. I sit down on the couch and sometimes I just watch the little everyday sounds as they come and go around me. Right now I see and taste the low background hum from the fridge. It feels like holding clouds in my mouth.

I don’t know what day of the week it is, or what time it is. But I know that when I go to bed I’ll touch the door over and over again a few times and then crawl under the sheets. In the morning, 7 hours and 45 minutes later, I will be woken by a string of golden bells.

#46 On podcasts, coping, and lilacs.

Coping and Lilacs

Image by Silent Canvas Media Belfast

I haven’t posted on here in a while, I suppose because I’ve been busy with my PhD. Also, because I went through a phase there of being a bit embarrassed to talk about my synaesthesia stuff. Sometimes it feels indulgent.

But, a few friends had been kindly asking me questions about it, and it has gotten me back into the habit of observing my synaesthetic responses. I’ve also been part of a few exciting synaesthesia studies recently, which reminds me of the importance of examining the condition and helping people to understand it. Today I realised that my fluctuating listening habits – that of podcasts versus music – changes depending on my mood and follows a discernible pattern usually lasting weeks or even several months, linked to my synaesthesia.

Happiness and excitement lends itself to modern music, often pop, hip hop, or R&B. When I want to immerse myself in my positive feelings – turn up the volume on them so-to-speak – I listen to music which is very ‘colourful’ to me as a synaesthete. This mixes with the thoughts and feelings I’m having to create a rainbow of tastes, smells, and textures within which, I exist. It magnifies what I’m experiencing. In those moments I am living inside my own little night club, but one I can take with me anywhere.

When I am low, I don’t want to know what I am thinking or feeling. I don’t want the colours or the endless fog horn drone of sadness. Listening to music only boosts these emotions, no matter what kind of music it is. So, I play podcasts. Recently, on Stuff You Should Know, Josh (I think) pondered why anyone would listen to a podcast episode more than once.  I listen to some of my favourite episodes over and over again because they act as kind of soothing audible wallpaper. The first time I listen, it’s to actually hear and learn. After that, I listen so as to let the words the presenters are speaking block out my own thoughts. I bet this is true for a lot of people, not just synaesthetes. But for me, it just means that I can no longer see my own anxiety as clearly. When I think, I see speech bubbles, or words going along on a ticker tape, like a teleprompter. When someone else is speaking continously, I can no longer ‘see’ my own bubbles. Their words replace mine. When I am calm and adjusted, I need less audio stimulation. I have nothing that needs blocking out. I don’t need to be protected from my own thoughts. I am happy to fill the silence with speech bubbles I’m not afraid of reading.

I am incredibly indebted to all the podcasters who have allowed me to enjoy their work for free, and who have enabled me to cope, when life became stormy. I’m going to include a list of my favourite podcasts at the bottom of this post, with links.

Finally, to end on an upbeat note…

Yesterday I attended a performance of Sleeping Beauty by the Moscow City Ballet company. It was absolutely wonderful. I’ve seen this group perform many times, and really love their energy and the magic they bring to their shows. For this ballet, many of the dancers were wearing beautiful dresses in lilacs; lots of shades of blues and purples and pinks. Coincidentally, I had chosen to wear a perfume called Violet Eyes by Elizabeth Taylor. Now, whoever created the branding and scent for this knew what they were doing because it really does smell purple. As I was watching the ladies dance, it was wonderful to see the lilac dresses, and find that they matched what I could smell on my clothes, perfectly. It really made my mouth water, like I was eating a packet of parma violet sweets you used to get in pic and mixes.

Podcasts: 

Right now, I’m binge-listening to The End of the World: with Josh Clark. It’s perfect because Josh’s voice is very soothing, and the light background music means my field of vision is flooded with gentle, pastel shades. I was a bit nervous about listening to this at first. I love Josh & Chuck’s style on SYSK, but wasn’t sure I could handle existential risks right now. The news cycle is bad enough as it is. But actually, the show counters the more gloomy predictions with a Carl Sagan-esque wide-eyed wonder at humankind’s potential in the universe. It’s a beautiful podcast; if you’re a science fiction fan you’re bound to enjoy it.

I support these podcasts on Patreon: Supercontext; Uncanny Japan

I love these podcasts, for too many reasons to go into here:

Stuff You Should Know; Nothing Much Happens; Stuff to Blow Your Mind; Stuff They Don’t Want You To Know; Ridiculous History; Movie Crush; Steampunk Dollhouse; Schoolin Life; Trek Geeks; Criminal.

Wishing you a happy week filled with colourful things.

Eilis (Pssst. If you’re reading this on Everyday Synaesthesia, check out my new website EilisLAPhillips).

Follow me stickers

 

BOO!

Bonus content because you read to the end! Thank you 🙂

After I added this to my Everday Synaesthesia website, I realised that this post has a lot of lilac in it, while my site is quite red and tawny. Man, it tastes disgusting looking at both of these together! Apologies to anyone who is reading this and thinking – yuck!

;-D

 

44# Biting Bikes

I love riding on motorbikes, but I can’t stand the sound of those really loud, high pitched ones. I have no idea what makes that buzzing sound but it’s awful.  It’s like they are ripping a hole in the universe. The ones that sound like a saw hurtling towards you, ready to cut your heart out. At least that’s what it seems like to me. I always feel like they cut me open as they go past. The sound looks so jagged and sharp. Wider and wider the jaws come until the pass and bite at you, and it hurts. For a few moments afterwards I always feel really uncomfortable. It can be surprisingly upsetting. I remember an embarrassing moment once when one of those loud bikes went pass and I just burst into tears.

39#Taste the Rainbow

The other day I saw a spectacular sunset. It made me feel a bit teary actually. I was fine until the gorgeous reds, pinks and oranges of the sky suddenly came into contact with the audio visual hallucination I was having whilst listening to a piece of music through my headphones. The song must have changed, and the new tune had these wonderful peacock colours – aquamarines, sapphires, emeralds, grape purple. As I looked at the sky both the colour schemes merged to become this dripping rainbow all around me.I could taste it in my mouth. Do you remember the ad campaign for Skittles sweets which said/says Taste the Rainbow? Well I can. And rainbow colours do taste sweet, and juicy.

(Real rainbows actually taste very different. They are a bit gritty, and can be quite flowery.)

As I was walking along, listening to the music and watching it meet the sunset in a big multicoloured wash, I felt a lump in my throat because it was one of the most beautiful hallucinations I have ever had. One of those ones which makes me think “isn’t nature perfect” and “how lucky I am to have this magnificently screwed up brain that creates these moments which only I can experience.”

I was trying to remember what song it was but I can’t seem to think of it. I’ve been going through my phone music list looking for “blue/green” songs, but can’t find it. That’s another handy thing about having synaesthesia, everything gets tagged and categorised according to colour, which makes things easier to remember.

Usually…

37#DIY Crocodile

I’ve been in home improvement hell for the last week. Only it is not my home. It is the man next door. He has been using an angle grinder continuously for days now.

The sound is like a crocodile, with big, sharp metal teeth with water dripping in between its jaws and falling like ball bearings. I’m trying to practice a presentation for a very important interview I have this week, but I’m having trouble getting the words out because the crocodile is so near my face. It’s not really menacing, more annoying. The crocodile is insistent, it wants me to pay attention. It follows me round the kitchen, whining. I can’t get away from it, because the sound is everywhere.

 

 

33#Sweet Unwrapper at The Nutcracker

This is an appeal to all audience members. Please, be thoughtful of others, you never know when you may have a synaesthete in your midst. For you, the joy of a bag of sweets in your lap at the ballet may cause you to not realise how maddeningly irritating the sound of rustling sweet papers is. This irritation can, however, become like a form of torture for the poor synaesthete who sees sounds as colours, or patterns.

I was watching the Moscow City Ballet perform The Nutcracker last week; it was spell-binding. I fell in love with them last year and had particularly fond memories of a certain scene. The music was so gentle and caressing, and the dancers’ movements in front of the alpine background made it all the more romantic. That was, until, some clown in the audience near me began loudly fussing with a bag of sweets. Suddenly my field of vision was filled with geometric, harsh, metallic shapes which almost completely obscured the beautiful scene I had been waiting a whole year to enjoy again. The fustling continued throughout the act. These sounds and images don’t fade into the background over time, I don’t get used to them, I instead automatically fixate on them and they seem to become larger and more annoying the longer they go on. I can’t block them out and can become frustrated, even anxious. In a worst case scenario it’s like a form of claustrophobia, the sounds and shapes closing in on me until I feel like I can’t think or breathe.

Now I’m lucky that I have these things to worry about. At least I got to see the ballet, and it was wonderful. I consoled myself with the fact that I was probably one of – if not the only – audience member to, every time the percussionist hit the triangle, see shooting stars blinking green and yellow, dancing through the air, growing brighter and brighter until they vanished into sparks.

32#Modern Fiction Merry-Go-Round

NB: In this post I describe types of fiction I like, and dislike. But in no way, do I suggest that one style is better than another. It’s purely a matter of personal preference.

Today whilst in Waterstones,  I may have I hit upon the answer to a puzzle that has long been perplexing me. Why do I dislike the vast majority of modern fiction? I think the answer has to do with synaesthesia.

I love reading very much. I adore books. I know a lot of people say that, and for most people, that’s true in a very broad sense. They love all kinds of books within a particular genre say, and even when a book isn’t what they might have hoped, they’ll persevere and get some kind of enjoyment out of it. This is usually only true for me of ‘old’ books, for example I’m a huge fan of Gothic horror fiction and ghost stories from the 19th to mid-20th century. Books which delight in long sentences, with thousands of commas, and a million twists and turns in every sentence. I have a real aversion to modern writing, and it’s upset me quite a bit over the years as I try, and fail to enjoy books within my favourite genres which everyone tells me I should love, but which I not only dislike, but feel a strong repulsion for.

Usually I will pick up a book, written in the last thirty years, start reading, and within a minute I begin to feel nauseous. I always hope that the feeling won’t be there, and that instead I’ll be intrigued enough to keep reading, but 9 times out of 10 that’s how I’ll feel. The colours of the words all blur into jarring pink and green acidic neons, the flow is jerky, and makes me feel like I’m on a carousel. This sensation doesn’t happen to me when I read 19th century fiction, or certain authors, particularly the classic Magic Realists such as Gabriel Garcia Marquez, or Italo Calvino, and so I love their work.

Today, as I picked up a modern fiction book and experienced the familiar neon nausea, I had a revelation. I think it has to do with how modern authors construct sentences that play havoc with my synaesthetic cross-over of words with colours, patterns and tastes. What I’m talking about, is the modern vogue (especially in horror, science fiction, and some fantasy) for short, punchy sentences such as the (albeit badly written) one below which I’ve just composed off the top of my head.

“The corridor was sickly, sweat-laden. Staggering forward, Brown headed for the door. He brushed his forehead. The heat was too much, even for him.”

Granted this is a really corny sentence, but this type of staccato writing is quite common nowadays. Reading this sentence back, I feel queasy. As I read it, I hear the sound of the words in my head and they create patterns. The jilted flow sends pointed yellow edges flying round my field of vision, and the last line makes me feel as if I’ve landed hard on my feet – it’s jarring. To re-write this in a way which soothes me, I would do this:

“Brown staggered down the corridor which smelled sickly-sweet. Sweat accumulated on the walls he lunged past, and on his forehead, which he wiped nervously on his way to the door. Even though he was well accustomed to the compound’s rancid humidity, still he wretched and longed to feel fresh air on his face again”

My re-written version would probably be seen as being too cumbersome by modern standards. The second  version adds only a little more detail to the story, but uses a lot more words which, I suppose, an editor would balk at. Also it perhaps hinders the feeling of immediacy; the jerky flow of the first version mirrors Brown’s stumbling down the corridor. The second version is more sedate. But I prefer it, because it looks, and tastes better. It has an undulating rhythm which creates lovely rolling waves or hills of gentle blue and green in my mind. The phrase ends wistfully, with less drama. Now, I have no problem with dramatic phrase conclusion, but I liked to be walked into them, not dropped, headlong.

Also, it’s not necessarily always the length of the sentence that upsets me. Short sentences can be okay, as long as they flow on from one another in a lilting way, like so:

“Brown paced. The corridor stretched out like a snake. Winding this way and that it turned uncertainly. He wiped his eyes. The corridor re-aligned itself as if it had always been so.”

This looks fine to me, even though the sentences are very abrupt, because it has a calm, logical flow to it (as least to me). It all tastes the same. It has a minty flavour – the words are sharp and insistent, and (I think) still contain uneasyness without being overly dramatic or cliché. It might be that the combination of short sentences without alliteration, and without obvious drama, makes me feel less queasy. Those techniques, whilst very effective, unsettle me too much.

In my academic writing I have a bad tendency to write overly long sentences with far too many points packed into them, and too much punctuation. I’m trying to streamline my writing to make it more concise. I think perhaps this desire to write such cumbersome sentences has at least some basis in my synaesthesia. When writing, as well as reading, I want a lazy cruise down the river, not a helter-skelter. I do realise however, that I’m unusual in this. I see the obvious merit in highly-acclaimed authors like Stephen King for example, but I can’t read his novels because I find his sentence construction too brutal. For me, the most horrifying thing about The Shining, was his syntax. Again, he’s a best selling author, I get why people love him, but I can no more enjoy King, than I can eat mushroom soup which looks and smells to me like death in a bowl.

Incidents like this remind me that synaesthesia plays a massive role in my life in a variety of ways which I’m not always aware of. I like my favourite foods, and smells and books, and music primarily because they agree with my synaesthesia – they create soothing patterns, sounds, tastes or colours. The opposite is also true. Perhaps if I woke up tomorrow without synaesthesia I’d suddenly be able to appreciate more modern fiction, not to mention a thousand other things I’m picky about.

But I would never, ever, wish that upon myself.

 

 

31#Fireworks

 

Today I saw a blog post that made me a bit annoyed, because it said that synaesthesia was”a neurological malady that makes senses meant for one part of the brain be understood by another part.”

This is misleading in several ways. Firstly,this might imply that synaesthetes get one sensory response instead of another. This isn’t the case. It could more accurately say “…that makes senses meant for one part of the brain be understood not just by that part, but by one or more others.” When I hear music, I hear it. But I also see it, sometimes I can touch it, or taste it. (I don’t think I’ve ever smelled it though. That would be interesting.)

Secondly, synaesthesia might be considered a disease according to certain medical criteria, but I think it’s an insensitive label to use, considering how the word ‘disease’ is usually thought about socially. Disease implies “abnormality” something which is not “normal” but in an uncomfortable way. Plague victims are diseased; they don’t want to be (at least I can’t see why one would). Disease implies negative connotations. Synaesthesia is so much more than an abnormality of the brain, it can be a gift. Sometimes it feels like a superpower. When my hearing is impaired because of water in my ears, or a sinus cold, I use my synaesthesia to pick up on images created by vibrations from sound, or perceptions such as “I know this heater has just come on because the air near the wall just changed colour.” Similarly, I can tell my when my friends’ moods change quickly, because I watch it happen in front of my eyes. Again, the air around them changes colour. It’s not an exact science, or at least I haven’t done my own tests on it (yet) but I fail to see how these extra helpful little pointers could be considered a “disease.”

Yes it makes life difficult, overwhelming, and stressful sometimes. It does have negative sides, but the positives, far outweigh those downsides for me.

Yesterday I was feeling completely at my wits end. I was walking along the road and I felt myself start to cry. I tried to hold it in as much as I could, but this made me panic, and I became worried that I’d have an anxiety attack. Just then a song came on my iPod and some of the sounds in the song created a firework effect right above my head. I stopped to watch it. I knew it was only a synaesthetic hallucination, but it was amazing. I can’t even remember what the song was now, but I can still remember the fireworks bursting over the roundabout. For a moment I forgot why I was sad and just enjoyed it. That’s when I thought, how many people are as lucky as am I?

The article which I quoted above was a review for a synaesthesia app which creates visuals to accompany music, imitating what chromesthesia does (a form of synaesthesia which sees music as colours/patterns). In fairness to the author, they did say of the condition that it: “could be the only medical condition music fans might want to suffer from.”

Still…

Who’s suffering?

 

28# Incongruous Colour-Coding

I’m currently working on a university assignment which involves me drawing up a timetable of events and activities. Progress on this has been dramatically slowed by the fact that I’m colour-coding different activities and Google Docs does not have the right colour shades to match those I already associate with the unit (how remiss of them!) I have no idea why I have assigned a selection of arbitrary colours to each unit – it’s just a synaesthetic thing, I suppose, because I colour code everything: people, numbers, days of the week, emotions.

In my minds’ eye, History Research Skills should be a sort of terracotta colour, but I can’t find one that matches and it’s making me wince looking at the salmon colour I’ve settled for. I should just abandon it and leave the boxes colourless, but that seems worse somehow…

25# Floating Words

Sometimes I worry that people think I’m rude if I stare at the ceiling/look up, or around when they are talking to me. Usually I’m very much an eye contact person, but I do it mostly with people who are softly spoken, or who have strong accents I have trouble understanding, especially if I’m sitting too far away to the speaker to be able to lean in close. The reason I do it, is so I can read the words that come out and stretch their way around the room, gradually rising, like steam. I find it easier to follow the hallucination of the words than to just rely on listening to them. I know that my brain must be picking up the audio, or I wouldn’t be able to read the words either, but I find shutting off what I perceive to be the “listening” part and concentrating on the visual, really help me clarify what they are saying. But yes, I do worry that people think I’m not paying attention, when really I am concentrating quite hard.